- Title: FJ-HRN-2642
- Summary: Nights in Rodanthe / Diane Lane & Richard Gere: HRN-2642 Nights in Rodanthe Diane Lane & Richard Gere Cam C
- Description:14:56:29 - A01. HRN-2642 Cam C In: 14.56.29 Out: 14.57.16 Sound Bite: Diane Lane, Richard Gere downtime on set Lane Yes but you have uh Gere Its got this kind of repetition, sitting chairs. (talks) Lane No youre not quite nailed to the seat and uh (talks) One after the other. Theres lots of pauses, lots of downtime, theres a whole art to how to pass the waiting time on a film set for everything to be just right and ready for the actors to come in and do their part um, you cant read a really good book or get too into anything. It has to be something very light like, I got into those jumbo crossword puzzles I think. (talks) Gere Guitars always work for me. (talks) Lane I wish I could play an instrument. I didnt get that out of it. But words that are about 5 letters long. 14:57:17 - A02. HRN-2642 Cam C In: 14.57.17 Out: 14.57.50 Sound Bite: Diane Lane, Richard Gere the beach was nice Lane Yes, heavenly. It was heavenly. Gere Yeah actually the location was great. There were spaces and we werent shooting outside all that much, we were in rooms. (talks) Lane Yeah, quite awhile. Gere so you could go out on the porch and there was this quiet space and Diane had a spot over there. Dont bother here. And Richard had one over here. Dont bother him. Lane And the wind and the weather was ocean so we didnt even hear the crew we could forget that there was actually a movie being filmed and we were in it. 14:57:55 - A03. HRN-2642 Cam C In: 14.57.55 Out: 14.58.12 Sound Bite: Diane Lane, Richard Gere is the house authentic? Gere Well it was helped, it was enhanced by the production designer. Lane Absolutely. Gere But it was basically that. That house that you know kind of inspired everyone, that said, Oh, this can work here. And other locations kind of fit in around it. 14:58:13 - A04. HRN-2642 Cam C In: 14.58.13 Out: 14.59.15 Sound Bite: Diane Lane, Richard Gere who came to this project first Lane Well Richards agent will tell you its Richard, and my agent will tell you, no Im kidding. (talks) I dont know, we spoke to each other. Gere You know what it was, because I dont think either of us was, it wasnt like you get the script and you go, Ive got to do this, it was Lane Its so balanced between the chemistry of the two players. Gere It had to be developed too, it was very schematic the original script that was sent to us, we probably got the same one. So it was over a couple of years really that it was a project that hadnt found a director yet and hadnt found the actors, it was just there and I think frankly the decisive point was when George emerged, George C. Wolf emerged and had an idea, got enthusiastic and saw how to do it and communicated that to us and finally said yeah great. Lane And Denise Di Novi really wanted both of us together. She was convinced. Gere She was convinced. She was convinced, yeah. 14:59:16 - A05. HRN-2642 Cam C In: 14.59.16 Out: 14.59.28 Sound Bite: Diane Lane, Richard Gere Gere I was convinced. I was convinced. It was the only way this movie would work. I was convinced. Now I woke up now in the afternoon, ok. Lane Now hes had his coffee. 14:59:37 - A06. HRN-2642 Cam C In: 14.59.37 Out: 15.00.18 Sound Bite: Diane Lane, Richard Gere a multi-layered story Lane That touches so many so many areas. Gere Well I think there was space enough here, its archetypically really interesting and real and our layers and our experience Lane And we were looking for love. Adults dont have a lot of time when you have teenage kids and. Gere And a career. Lane And surgeons career and to be uh I dont know what. Gere And youve made choices to that point that dont leave the space for that. Its true. So it was an interesting thing to deal with and it was a challenge for us to make it as adult as we could within our own experiences and Georges and Dianes and mine and I think we did that. Im happy about that.
- Collection: Historic Films
- Producer:Historic Films
- Transmission Date:01/01/2008
- Rights:On request
- Decade: 2000s
- File Name: FJ-HRN-2642